The hidden pasts of a recluse and a petty criminal collide in a realm lost from time and reason.

Two losers who'll do anything to try and be successful in the Triad world, but all they've accomplished is having a bad luck reputation.

A curious and lost Eleonore looks for something everywhere, even in the bags of strangers who find themselves sadly smiling only well after she's left their lives. They owe her their thanks.

Jean-Yves Machond, a globally unknown and generally unhappy painter, decides one day to change his life. He seeks inspiration in a small Norman town, in order to design a masterpiece that will finally earn him glory and eternal recognition. But his meeting with local artists, from the warm Bagnoule to the skillful Cécile, will somewhat make him deviate from his path, and bring him face to face with his deepest dream: that of simply being a happy man.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.

Himuro is arrested on suspicion of assault. To prove his innocence, members of the Yamazaki Ichimon scramble to locate Ito—the older man Himuro once helped (Hiroo Otaka), who could serve as a key witness. Meanwhile, Tamura visits a certain hospital, where he is suddenly attacked by a man. After a fierce struggle, Tamura is arrested by police who rush to the scene. With the Kyowakai cornered and both Himuro and Tamura in jeopardy, the Yamazaki Ichimon splits up to continue their desperate search. Their efforts eventually lead them to Naomi (Saki Kiyoi), the daughter of Ito. As the investigation progresses, it becomes clear that the incident is tied to a gold smuggling operation. Just as the truth begins to surface, Naomi is kidnapped by the smugglers.The shocking mastermind behind the smuggling ring turns out to be an international spy organization.Can the Yamazaki Ichimon rescue Naomi—and clear both Himuro and Tamura of all charges?!

Intergalactic warrior Star Butterfly arrives on Earth to live with the Diaz family. She continues to battle villains throughout the universe and high school, mainly to protect her extremely powerful wand, an object that still confuses her.

A young man finds himself alone in his hotel room with a full bottle of vodka when his repressed memories begin to resurface and take control.

Yamamura (Kenta Kawasaki) is enthusiastically explaining his favorite anime to Tamura (Yoshiyuki Yamaguchi), while Himuro (Yasukaze Motomiya) reads a novel—creating a warm and peaceful mood in the office. Just then, Ishizawa (Hiroto Honda) arrives, carrying Himuro’s guns. Himuro takes out two pistols to clean. One is a magnum gifted by Tamura. And the other… is the very gun tied to a fateful incident between him and Tamura.